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Issue #43

The Gentlemen Ranters site is a brilliant compendium of reminiscences of the great days of Fleet Street. – The Times, August 2007


May 2, 2008

 

Something for nothing (contd.)

Continuing our unique, extraordinary, exclusive, superlative series of absolutely incredible Reader Offers and services, this week we publish – for your entertainment and enlightenment – our TAX GUIDE FOR AUTHORS AND JOURNALISTS.

It is over there on the left, in the Contents column.

If you need a downloadable or printable version, just ask. Our email address is at the top of this page, and a copy will be forwarded to you. Just like that. No charge.

If you have any queries about your tax, the email and telephonic contacts are there at Kernonthe top of the copy.

Seriously, you cannot get better advice about tax than comes from Barry Kernon (pictured) who has been looking after Fleet Street operators for nigh on 40 years and whose dad was doing the same in the days when the tarmac above the old Fleet sewer was still justifiably known as The Street of Ink, or even The Street of Adventure.

If you are still working, even in a semi-retired state, there’ll be something you can learn in the document’s pages.

If you’re happy with the amount of tax you are paying on your pension, just ignore everything, of course.

And, if you do NOT want a FREE punt on the UK National Lottery, do NOT click on this site - www.playgrabagrand.com/ranterseditor - which offers the opportunity to win ?1,000 without going to the trouble of buying a ticket.

If you DON’T want to join the Ranters’ Lottery Syndicate, or even to read about it, avoid this site: www.e-vwd.com/ranterseditor

Similarly, if you do NOT want the opportunity to buy a copy of Ian Skidmore’s brilliant autobiography, Forgive Us Our Press Passes, at a discounted price and with next-day delivery, do NOT look it up on amazon.co.uk.

How we manage to make all these offers, at the price we charge for subscriptions to this website, is beyond me.

But if you’ve just wandered in looking for something to read, read on.

#

Peter Wilcock, former Mail, Express and Star snapper, has been busy setting up a business so that people can take a holiday in Sligo while being taught how to take photographs. That – plus ‘monkeys think long and hard before committing words to paper’ – is his excuse for taking six months to follow up a piece written in our early days by Alasdair Buchan about Lucky the Dog.

Alasdair’s tale, for those among you with short memories, was a cautionary one revealing how much readers really care about what we do (or did) for a living.

It’s all there, in the Archive, somewhere (although I’m buggered if I could find it, yesterday). Peter’s story is here, this week. If you want to learn how to take photos in the rain, follow him via www.redbackphotography.co.uk

Charlie Catchpole unearths his old contacts book and discovers that it lists – here’s a surprise – lots of old contacts. Most of whom he’s forgotten, and the ones he can remember have snuffed it. But if you know anybody who needs to speak to, say, Noel Edmonds, Charlie can advise.

Liz Hodgkinson recalls how the old People tackled celebrity interviews. These days, of course, you’d just phone Max Clifford and ask him to file the copy. But they did it a bit differently in the old days… and came back with the copy.

And finally Revel Barker reveals why Bob Maxwell spent a morning walking round the office with his flies undone. It was because he (Maxwell, not Barker) was doing his Churchill impersonation…

#

This little piggy…

By Peter Wilcock

Back in the halcyon days when it was oh my so much fun, reporter Allan 'Hercule' Hall and myself fresh back from a Daily Star world exclusive interview with Nazi Hunter Simon Wiesenthal in Vienna, were summoned to editor Lloyd Turners' office in Manchester, and at which time was the head office of the Star and also doubling as the Capital of the World.

Turner informed us that he wanted to 'bring to life' the paper’s back page cartoon featuring the porcine adventures of one Orson the Pig penned by Jim Davis.

We were duly dispatched to a local pig breeder near Wigan with instructions to purchase a piglet (receipt required for expenses naturally), and over the ensuing weeks the real life adventures of our snuffling amigo would be chronicled by Hall and photographed by myself.

The pig breeder, sensing a killing, informed us that piglets grow at such a rapid rate that the logistics of transporting a full grown pig to various civic and celebrity functions would be beyond the load capacity of my Express Newspapers Cavalier, now festooned with air fresheners. (Hall was given to wearing a particularly pungent aftershave, the one with the ship on the bottle) and that we would have to utilise a number of identical piglets on a rotational basis.

The ensuing weeks were hilarious with Hally and myself transporting Orson and a succession of his clones to Blackpool Pleasure Beach, a trip down Coronation Street and a day out at Chester Races where he pulled off a remarkable Yankee in the last race being among the most memorable.

Adrenalin flowing, expenses burgeoning we now got beyond ourselves and suggested a 10 day R&R for Orson in Disneyworld Florida.

Alas we were rumbled, Ray 'Biffo' Mills the deputy editor took us for a long and liquid lunch in the 'Hammer' at which he stood a respectable distance upwind and informed us that it was of course only the strict US quarantine laws that had put the mockers on the jaunt. 'And boys, yes mine's a pint,' sayeth Biffo. 'But let’s not forget that pigs can't fly.'

#

This is my life, A to Y

By Charlie Catchpole

Who is – or was – Bert Ridgewell? And why should his name be circled in red ink under the Rs in my old contacts book?

(A contacts book, kids, is what we used to carry around before they invented Blackberries. We would write in it with something called a pen.)

The role of Dr William Belson also remains a mystery. Was he, perhaps, the medical advisor to Casualty? Or might he have been the indiscreet practice manager of a clap clinic frequented by the stars?

Likewise, Danny Finn, Peter Scaping, Kevin Savigar and Anthea Browne-Wilkinson.

I have a hunch one – quite possibly all – of them may have been in Britain’s Eurovision Song Contest winning group Brotherhood of Man. Who knows?

Each name ought to recall, vividly, some big story from my years spent covering television for the Evening Standard, the Daily Mail and the Sun. But in most cases, my memory remains resolutely unjogged.

Pete Radcliffe, Dafydd Rees, Mike Ross… sorry, no idea.

David Reed, Simon Reed, Oliver Reed… Aaargh! How could I possibly forget him? The details are a bit sketchy, though. Strong drink was involved, I know that. Some business about Ollie being banned from his local pub for dropping his trousers and attempting to climb up the chimney. And I do dimly recollect him brandishing a loaded shotgun in my direction. Oh, well. Best not to go there.

Certainly, my department head at the Mail, who had to turn my drunken burblings into copy, wished I hadn’t.

When I unearthed my once-treasured, now faded and battered ‘bible’ a few weeks ago and began flipping through its yellowing pages, my past life flashed before my eyes. Or at least bits of it did.

First page of the As started promisingly: Abba.

Sadly, no home numbers were listed (I always fancied the red-head, not the blonde one everybody else lusted after), only the number for the Stockholm HQ of Polar Music, where I shared a few beers with the group’s producer, manager and mentor, Stig Andersson.

Fat lot of good that is now. Abba have long since split up. And, according to Google, Stig has been dead for 11 years.

I shake cigar ash out of the book, and it falls open at the letter E...

It’s a cruel world, isn’t it? Kenny Everett has gone; Noel Edmonds is still with us. After I rejoiced in my News of the World column at the demise of Noel’s House Party, he greeted me at the British Comedy Awards with the words: ‘Hello, you c***!’ What a charmer. Small man syndrome, I believe it’s called.

And a bit further down the page is the number of a big man – Michael Elphick, star of Boon and EastEnders, who could have drunk Ollie Reed under the table, if only he’d been bothered. Elphick has also stumbled off in search of that great off-licence in the sky.

When we met on the set of Boon, he kicked off the interview by shoving his fist to within a millimetre of my nose and growling: ‘I hate your f***ing paper!’

A couple of bottles of Rioja later, we were the best of buddies.

That’s the other problem with a vintage contacts book, some of whose entries pre-date 01 for London, never mind the subsequent 071 and 0207 codes. Death stalks its pages.

So farewell, then, in alphabetical order: Larry Adler, Dave Allen, Patrick Allen, Keith Altham, Eamonn Andrews, Arthur Askey (yes, really) and the recently departed ‘fifth Beatle’ Neil Aspinall.

Turning to the Bs, I regretfully draw lines through Ronnie Barker, Peter Barkworth, Jeremy Beadle, Tom Bell, Michael Bentine, Reggie Bosanquet, Bernard Braden, Jeremy Brett and Cubby Broccoli.

On, now, to C… Roy Castle, Graham Chapman, Charlie Chester, Peter Cook and… oh, this is too depressing.

I’m tempted to call some old friends – even better, some old enemies – who haven’t yet shuffled off this mortal whatsit, just to see if their phone numbers still work. (Mr Revel Barker suggests, rather unkindly, that if I can somehow manage to find five who are still alive I might like to enrol them in his Lottery scam – sorry, I mean syndicate.)

I wonder if Carol Drinkwater would be slightly more friendly than she was 20-odd years ago when I first tried to question her about her close friendship with Christopher Timothy, Carol’s screen husband in All Creatures Great and Small. Somehow, I doubt it.

Nor am I sure whether Candy Davis (alias Miss Belfridge in Are You Being Served) would care to be reminded that her stated aim to be taken seriously as an actress didn’t wholly square with her winning the title of Miss Nude UK.

On impulse, I turn to the very back of the book to look up my highly prized, one and only Z… Zsa Zsa Gabor.

Damn it. The page – like large chunks of my life – is missing.

#

Getting the big exclusive interview

hodgkinsonBy Liz Hodgkinson

I came into our office one morning to find Eric Leggett looking ashen. Actually, ‘ashen’ was an understatement. He looked like one of the undead from an ancient Hammer horror film.

As he was normally so jokey and bubbly, I was shocked.. ‘Whatever’s the matter?’ I asked him. ‘You look as though you’ve been given two weeks to live.’

‘It might come to that,’ he muttered. ‘The editor’s given me a story to do.’

‘I must admit that’s terrible,‘ I sympathised. ‘After all, it’s not as if we’re working on a newspaper or anything, is it?’

‘Yes, well, there are stories and stories.’ It must have been twenty years, at least, since Eric, as a long-serving deskman, had actually gone out of the office and done a story.

‘What kind of story, then?’ I asked.

He moaned again. ‘Interview Christina Onassis.’

Who?’ I thought he must be having me on.

He repeated it. At the time, Christina Onassis was one of the most famous yet elusive women in the world. Fat, ugly, troubled, much-married, vastly rich, this ultimate poor little rich girl’s predilection for attracting wildly unsuitable men had provided newspaper fodder for many years. But at the same time, Christina, who was supposedly now running her late father Aristotle’s shipping empire, was notoriously uninterviewable, and not even the finest journalistic talents in the world had managed to nail her down.

All kinds of famous interviewers had tried to get hold of Christina to persuade her to open her heart in their newspaper or magazine, yet she had refused all requests. She didn’t need the money, she didn’t need the publicity. She had plenty of both without having to court the press.

So how was Eric Leggett, of all people, going to pull off what nobody else had ever managed?

‘Christina Onassis, eh?’ I persisted. ‘So how are you going to get hold of her?’

 ‘It’s all arranged,’ he moaned, as if he’d just been told that his reprieve had not come through and he would be shot by firing squad in the morning.      

‘How? Has she agreed to be interviewed by you, then?’ It sounded unlikely.

‘No, she has not.’

‘So? How are you going to make it happen?’ I felt like laughing, but Eric’s hands were shaking. He was clearly badly frightened by the prospect of this assignment.

 ‘In a couple of days’ time, she is going to board an aeroplane for Barbados,’ he told me. ‘I’ve got a ticket for the same flight.’

‘What, first class?’

‘Of course.’ Eric managed to regain a little of his pomposity as he said this.

‘You’ll be sitting next to her, then?’

‘I don’t know. But I shan’t be far away. The idea is that I have to make contact with her on the plane.’

‘So why have you been asked to do this story?’ I wondered.

‘Because I’m not a known showbiz writer, or member of the press pack who’s been following her for years, the editor thought I’d have a better chance. She might feel so sorry for a poor old man like me that she lets slip a few words, lets me into her confidence a bit.’

Well, it was remotely possible, perhaps. Stranger things had happened.At least Eric wouldn’t deliberately antagonise her by dogging her every footstep and making a nuisance of himself, as our bolder, brasher reporters might, never taking no for an answer.

But I was still puzzled. Why did we want to interview her anyway? ‘So what’s the story, Eric? Why are we trying to get her?’

‘I don’t think there’s any particular story as such,’ he said ‘other than that she’s divorcing that Russian husband. But somehow we had a tip-off that she would be on this plane, and then staying in this hotel in Barbados. I’ve got to ask her what her plans are for the future, how she sees her life developing, and so on.’

You think you can get her to talk when nobody else has, then?’

‘I suppose I can but try,’ he said sadly. ‘The idea is that I’m a nice guy, not one of those nasty Sun journalists.’

‘Even so, you’re from a nasty paper,’ I reminded him. ‘At least, in her eyes.’

‘Yes, I know. I’ve tried saying that to the editor, that even if I seem like a nice chap, there’s no reason why she should want to appear in our paper. But he won’t take no for an answer. ‘

‘And you’ll be staying in the same hotel in Barbados, will you?’

‘Yes. I’ve got a few days booked there.’

‘I must admit, my heart bleeds for you,’ I said. ‘There you are, booked on a first-class flight to Barbados, and staying in a zillion-star hotel. But seriously, it’s got to be better than just sitting here in the office playing office golf, hasn’t it?’

‘No.’ Eric contradicted me forcefully. ‘I’d far rather be sitting here reading my paper and researching my next book.’ He meant it. Eric had written his previous book, The Corfu Incident, published by Leo Cooper, husband of Jilly, largely in office time and saw no reason why he shouldn’t tap out his next book in the same way. It was by far the best way to be an author – get paid a huge salary for doing no work, plus being able to use all office facilities such as telephone, typewriter, library, for nothing.

If I’d been in his shoes on this current assignment, I would have been wildly excited, however remote the possibility that I’d get anything worth having from Christina Onassis. At least I would have met her, have travelled first-class and stayed in an international hotel.

But of course, Eric was past all that. The days when something like this would have been an exciting challenge for him had long gone, and he now only wanted a quiet life – so long as it netted him lots of money, of course.

Now he was overcome by sheer, simple terror.

He sighed, grumbled and moaned, then got the huge thick cuttings file on Christina Onassis from the library and carefully read through each one, making notes as he did so.          The following day he came into the office still wearing the same expression of gloom and despair, we all had a farewell liquid, or mainly liquid, lunch at The Stab and then he disappeared to Simpson Piccadilly to buy some tropical-type clothes for the trip, on expenses of course.

Then he was gone.

While he was away, we heard nothing. We tried to imagine Eric, in his new lightweight clothes, sitting next to big Christina on the aeroplane and making gentlemanly chat.

Almost a week after he had left in such fear and trembling, the now international jet-set traveller returned, safe and sound. He was lightly tanned and even looked rested and relaxed, with a rather self-satisfied I’ve-got-it-in-the-bag expression on his face.

‘Well?’ we all asked. ‘What happened? Did you see her? Did you get her? What did you say?’

‘Oh yes,’ he said airily. ‘I nailed her all right. They don’t call me the man the stars talk to for nothing…’ He told us that during the flight, when he was sitting next but one to Christina, he had the bright idea of passing her a note, rather than addressing her directly. He thought it would be less intimidating. It was also, we knew, because he funked talking to her direct.

‘And?’ we all wanted to know.

‘She granted me a unique audience,’ he said, fishing out a piece of paper from his briefcase. ‘Me, I can charm the birds off the trees.’ He handed it for us to read. It looked hastily scribbled on the first piece of paper that came to hand, and read, in English:

‘I will not talk to you. Please don’t ask me any more. Christina Onassis.’

We stared at the piece of paper, analysing the handwriting.

‘That’s it?’

‘That’s it.’

‘Whatever kind of story are you going to get from that?’ I asked.

Eric was supremely unconcerned. ‘Watch this space,’ he said. He rolled a six-part carbon into his ancient typewriter and began to type as we stood there looking:              

‘For all her wealth, Christina Onassis is a sad, lonely woman. How do I know? Because she opened her heart exclusively to me during the six hours we sat next to each other on a first-class flight to Barbados last week. Sipping champagne during our intimate conversation, she told me…’

#

No flies on Cap’n Bob

By Revel Barker

In the mid-sixties prime minister Harold Wilson became paranoid about being spied upon, firstly by the South Africans (BOSS) and then by MI5 itself. Concerned that his own security services were getting out of hand, he put former paymaster-general George Wigg in charge and Wigg not surprisingly became known as Spymaster-General.

After his retirement I went to interview him for the Sunday Mirror on some aspect of espionage. The meeting didn’t amount to very much but as we shook hands at the end Wigg, an avid racegoer who had been appointed chairman of the Horserace Betting Levy Board, asked whether I knew Oswald Fletcher, then editor of The Sporting Life. I said I did, and Wigg asked me to pass on his regards.

Back in the office I phoned Ossie who thanked me politely and asked whether it had been the first time I had met Wigg, then whether his flies had been undone, and whether I had pointed it out to him. The answer to all three questions was yes.

There was a good story, though, I said. When I told him his flies were undone Wigg just shrugged and said ‘Oh. Are they?’ and rebuttoned them. Then after a pause he continued: ‘You know… once, in the Commons, I told Winston – that’s Churchill, of course – that his flies were undone, and he looked down at them and said: “Oh well, a dead bird doesn’t fall out of its nest.”

‘What do you think of that?’

I told him, as I was now telling Ossie, I thought it was a good story. Possibly even a great one. That rare thing – a genuine Churchill quote, from someone who had actually heard it delivered.

‘That’s precisely why I asked,’ said Oz. ‘That was George’s moment of glory. As far as I know it’s the only conversation he ever had with Churchill.

‘He likes it so much he is constantly unfastening his fly buttons in the hope that he’ll get the opportunity to retell it.’

Years later, when Robert Maxwell was about to greet the American ambassador, I pointed out that his flies were undone then, as he closed them I related the George Wigg story.

Maxwell loved it – and unzipped his flies.

Neil Bentley, ushering in the visitor, tried signalling to the publisher that his flies were unfastened and Maxwell made him put it into words, and then repeat it, twice, and louder. ‘Oh well,’ he said with a huge grin, ‘As I once said to Churchill, a dead parrot can’t fall off its perch.’

Not surprisingly, the ambassador’s only reaction was a look of total bewilderment.

Alone with him in the office I suggested to the boss that if he was going to steal stories, he should at least get them right. Not parrot or perch, I said, but bird and nest. ‘It’s the same thing,’ Maxwell told me.

The next caller was Lord Silkin. As Maxwell stood to welcome him he unzipped his trousers. His secretary, Debbie Dines, brought the former attorney general in: ‘Here’s Lord Silkin. By the way, RM, your flies are undone.’

‘Oh really?’ he said, then, grinning, turned to Silkin. ‘As I once said to Winston, a dead parrot cannot fall out of its tree.’

When I raised my head from the desk I caught the eye of Lord Silkin. It winked in my direction. He told me later he had heard the much better version before, from George Wigg.

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Letters

 

Cass & Kernon

From Ian Skidmore: Very sad to read (Last week) about the death of Dennis Casson.

 The Doncaster reunion event he organised was one of the happiest evenings of my life.

 What a joy though to hear that Barry Kernon is still alive despite having to look after my finances since the early sixties. He reduced my tax almost to vanishing point and his advice is well worth following now.

#

Read and laugh

From Liz Hodgkinson: Have finally received a copy of Skiddy's book [Forgive Us Our Press Passes, Ranters, passim] and it really is very funny indeed. I sat in my sunroom reading it yesterday and laughed out loud at some of the 'takes'.

 I wanted to eke it out but in the event could not put it down and read it at a sitting. 

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Read and weep

From Alasdair Buchan: Wonderful piece by Colin Dunne (Last week).

 He could make you weep with his style.

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Just read it

From Anthony Peagam: What a truly outstanding piece by Colin Dunne!

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Issue #44

The Gentlemen Ranters site is a brilliant compendium of reminiscences of the great days of Fleet Street. – The Times, August 2007


May 9, 2008

 

A lightish week

A lightish week, this week – which should please those critics who complain that we frequently produce TOO MUCH stuff.

Here’s a tip: it is not mandatory to read the copy all at one sitting. It will still be there, if you want to come back to it.

To get the furniture out of the way…

We had a few reports that the TAX GUIDE we introduced last week was both interesting and useful.

It’s over there in Contents on the left. Unless you already know everything there is to know about income tax, check it out. If you need a printable copy email Barry Kernon (who compiled it and whose email address is in the text) or ask us (address top right) and we’ll forward one to you.

You can still join the Ranters Lottery Syndicate (it has earned a few pence, mainly from EuroMillions, since it started). You can check it out at:

www.e-vwd.com/ranterseditor

Whether you join it or not, you can click on Grab A Grand on the same website, or go directly to

www.playgrabagrand.com/ranterseditor

…and pick five numbers which, if you’re lucky, could produce you the aforementioned thousand smackers. If you’re unlucky, it has cost you nothing, anyway, so it’s better than buying a lottery ticket from Tesco.

You can play this three times, without joining the Syndicate – BUT, we hear that it might produce a batch of automatic mailing from the back office, encouraging you to join it. And that, you can either read or delete.

Ian Skidmore’s book, Forgive Us Our Press Passes – literally (no exaggeration) described as ‘hilarious’ by EVERY press reviewer – is still being discounted with a promise of next-day delivery by amazon, who have it in stock, at

http://www.amazon.co.uk/Forgive-Us-Our-Press-Passes/dp/0955823803/ref=sr_1_1?ie=UTF8&s=books&qid=1210235680&sr=1-1

 

And so to copy.

Liz Hodgkinson’s tale last week about the masterful way Eric Leggett handled an interview with Christina Onassis has prompted two follow-ups. (This is what these stories, in an ideal world, are supposed to do.)

Jeff Blyth writes from New York about the day Christina sat on his lap while Onassis showed off his organ.

Peter Reece, so impressed by Eric’s professionalism, suggests coining a word for the technique, and suggests calling it ‘a Legget’.

Well, we already have Pilgerism and doing a Fisk, so why not.

Peter also claims that he previously invented Beatlemania. He won’t get very far with that – nearly everybody who covered the group in the early sixties (this correspondent included) always claimed that distinction for themselves.

Only Letter this week – a lot of blank columnar space there, open for filling, chaps. So we have rejigged the layout. It is from Allan Glenwright, prompted by Colin Dunne ’s reminiscence two weeks ago about the poetic sub-editor Basil Bunting, but actually referring to Charlie Fiske.

It isn’t only us that do the prompting.

Jilly Cooper had a letter in The Times this week asking for a better deal for snappers:

Sir, I would like to start a campaign for bigger and more appropriate bylines for photographers. That was a beautiful piece of writing by Rachel Campbell-Johnston in which she compared a photograph of Frank Lampard, after he scored a penalty for Chelsea, to a great Renaissance painting (times2, May 2). The photograph captured all the anguish on Lampard’s face over the recent death of his mother and also the tenderness of his two team mates.

The only thing wrong with this exquisite marriage of copy and photograph was that the name of the photographer (Matt Dunham) was hidden like a tiny, tiny centipede on the top right of the picture. Equally, when the same photograph was praised in the Radio 4 Today programme, no one mentioned the photographer at all. Over and over again photographers get minuscule bylines or no byline at all. And I feel they should get equal billing to writers, because their contribution is just as important.

Sometime Ranter Peter Kinsley told us he’d been thinking along those very lines for some time, only Jilly beat him to it.

He thundered back:

Sir, I agree with Jilly Cooper (letter 7 May) that photographers’ by-lines are ridiculously small. One can scarcely read the names of these dedicated men and woman. It is not so long ago that photographers were not allowed to become members of the Press Club in London, Indeed just before the wedding of Princess Margaret a titled lady who was the subject of Press attention asked Anthony Armstrong-Jones (Lord Snowdon), snacking at the buffet, who he was, and said: ‘In my house, photographers eat in the kitchen’). She was not invited to the wedding.

 There are photographers who risk their lives at war, and when they return and are sent on a Royal job, they are referred to insultingly as ‘papparazzi’. I was a journalist in Rome when the word was invented: it meant young hooligans who used a Rolleiflex and flash to annoy the stars, but not one of them could have been employed in a newspaper or magazine.

They cut the last par, about paps.

Peter (who was Hickey at the time of Margaret’s wedding, and when Anthony Armstrong Jones was employed by Edward Pickering at the Express, and known to the hacks as Surgical Boot of the Beast) also left one word out of his letter which appeared yesterday (Thursday): the titled lady actually said: ‘In my house photographers and coachmen eat in the kitchen.’

Yes, people did say ‘coachmen’ in those days for chauffeurs.

This story struck a chord at Ranter House where we recall somebody (Ian Mather?) telling a tale about going to interview a marchioness who arranged to see him over lunch, after instructing her butler that the snapper – who she’d learnt would be arriving on a motorbike – should eat in the kitchen with the staff.

As he decanted the claret the butler asked: ‘Should I, M’lady, offer the same wine to Lord Snowdon, downstairs?’

Small panic from her ladyship, who hadn’t realised she was entertaining a titled monkey.

‘Give Lord Snowdon my apologies and invite him up here to join us,’ she said.

The butler disappeared and returned and – one would like to believe with a well-hidden feeling of joy – told his employer:

‘Lord Snowdon asks me to thank you for the kind invitation, but says that he is totally content with the arrangements… and with your permission will join you in the drawing room for coffee at which stage he will effect your likeness.’

Two remaining pieces, written (so far as we know) totally unprompted: Cathy Couzens remembers how her appearance on television news prompted her dad to spill spaghetti all over the floor.

And Colin Dunne writes about some angry fellows from north of Hadrian’s Wall.

So far as we know it was Hannen Swaffer who first complained about the growing number of disruptive visitors from over the border.

‘I tried to deter them,’ he said.

‘I put down bowls of poisoned porridge at Kings Cross station.

‘But the blighters foiled me.

‘They came in via St Pancras, instead, because the fare was a half-penny cheaper.’

Read on, MacDuff…

#

The organ grinder

By Jeffrey Blyth

The account by Liz Hodgkinson of the attempt by my old colleague Eric Leggett to interview Christina Onassis on a flight to Bermuda brings back memories of an earlier encounter with Onassis’ daughter.

It was many years earlier. As shipping correspondent, at the time, for the Daily Mail I had a slight acquaintanceship with the Greek shipping tycoon, In fact I once flew to Saudi Arabia with him in his private jet at the time when he was seeking an exclusive oil deal with the Saudis – a deal that like Eric’s attempted interview came to naught.

But back to Christina.

Shortly afterwards when we met in Monte Carlo Onassis invited me for a lunch-time drink aboard his yacht Christina. (He must have been lonely for company that day – which he was quite often, surprisingly – but that’s another story) Anyway I am sitting at the bar on board the Christina, on one of those bar-stools reportedly upholstered with whales’ foreskins, when a nurse walked in holding the hand of a toddler…

…who came over to me – and climbed on my lap. She was followed into the bar by Onassis. ‘Ah, you’ve met my daughter, Tina’ he said..’It’s her birthday today.’ I am not sure exactly how old she was, five or six maybe… possibly younger.

Onassis proudly announced the fact – and then called for a steward to bring in his birthday present for her. It was one oft those old fashioned organ grinder’s instruments, with a wind-up handle which in those days were still sometimes seen on the streets of London.

Onassis propped it up and started turning the handle – while his daughter, still sitting on my lap, cooed in delight at the music. The only thing missing was an organ grinder’s monkey.

It was an odd scene, one I often recalled, and recounted to old chums, as Christina grew up, got married and divorced four times, had headline-making affairs – and then when her father died became one of the richest young women in the world. And of course became chubbier and chubbier over the years.

A far cry from the toddler who sat on my lap in the bar that day.

That is my memory of Christina after whom, of course, Onassis named his famous yacht… which had started its sea life as a WW2 Canadian naval vessel, a frigate called HMS Stormont, and which Onassis bought for a bargain $34,000 and converted at a cost of more than $4 million into a luxury yacht with marble swimming pool, helicopter pad, more than a dozen state- rooms and of course the famous whaleskin bar-stools.

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How to Leggett

reeceBy Peter Reece

I stand to be corrected, but I think it was Indira Ghandi who identified there are just two kinds of people in the world; those who do the work, and those who take the credit. She wisely suggested it is better to be in the first lot – there is far less competition.

It was with this in mind I thought it appropriate to thank Liz Hodgkinson for reminding me of a festering little niggle I have about word recognition and one in particular.

You see, I happen to think I may be the person who coined the word Beatlemania and probably wouldn’t have given the matter another thought if it wasn’t for the fact that so many others have claimed it was theirs.

I say invented, although I am totally prepared to concede that it may well have been my freelance colleague, Bob Wrack of Salford and South Lancs News Service, who actually came up with it.

We were searching for a descriptive word while hiding behind a very burly copper who was as perplexed and intimidated as the pair of us as to why hundreds of otherwise normal looking teenage girls should be shrieking and screaming at four mop haired lads from Liverpool who appeared at the Apollo, Manchester in 1962.

What I do recall with certainty is that I was probably the first person to give a voice to the word. I ‘phoned the copy Bob and I cobbled together to every Manchester office of the nationals, and as this event was the nearest thing we had ever witnessed to a city-centre riot, I’m sure the word Beatlemania was published.

Wikipedia says differently: Andi Lothian, a former Scottish music promoter, claims that he coined the term in 1963, although an early printed use of the word is in The Daily Mirror 2nd November 1963 in a news story about the previous day's Beatles concert in Cheltenham.

It’s pretty much the same story with the word numpty, which according to the Urban Dictionary first surfaced on the terraces of west of Scotland football grounds to describe someone who (sometimes unwittingly) by speech or action demonstrates a lack of knowledge or misconception of a particular subject or situation to the amusement of others.

But it was in fact my son Angus – Highland Scot incidentally – and his friends in Manchester who adopted the word a good ten years ago and determined by their conversational efforts in the city’s night spots and student bars that it should be brought into colloquial English usage. 

Through diligent research they even claim numpty is not Scottish at all, but a corruption of an Urdu word which means pretty much the same.

Which brings me back to Liz, and her tribute last week to Eric Leggett and his high-flying interview with Christina Onassis.

Leggett is such a fine and solid word, and should henceforth be used to describe an extraordinary, imaginative, but fictitious narrative, based on the smallest possible grain of truth.

It will sit quite nicely between the apocryphal story and the urban myth.

So when a leggett’ comes in to common usage and its meaning added to the Oxford English Dictionary, I hope you will all recall where you heard it first.

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Doing a Fiske (with an E)

By Allan Glenwright

Colin Dunne's piece, week before last, mentioned Charlie Fiske who did the diary on the Evening Chronicle.

Charles - always immaculate and a likeable fellow – sometimes partook of a glass or two. Once met him at a reception at Tyne Tees Television where he had been taking notes for several hours.

Being concerned for his safety at the end I offered to drive him home but he couldn't remember the address.

He almost met his match in (how can I put it?... accepting hospitality, I suppose) John Smart, the Daily Herald reporter, once seen staggering down the steps of the Royal Station Hotel after a product launch with a bag of coal under each arm.

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Handbagged

couzensBy Cathy Couzens

There were times during my Fleet Street career when my rather Conservative parents in Mid Wales were not sure that their daughter was in the sort of profession of which they should be proud. This incident was one of my better ones.

My gentleman chemist dad was sitting in his best chair in Crickhowell watching the early evening news. Mum had just brought him a tray. He could not sit at the kitchen table to eat his tea because he had suffered a stroke that affected his left arm.

Happily tucking into his spaghetti supper he suddenly realized that his younger daughter, the infamous Cathy Couzens, was on television… and it was not a good moment.

D.EX photographer Harry Dempster and I had gone to Paddington Station to meet the West Country train.

Harry bet me 10 quid that I would not do something unexpected.

Bad move – but hell, 10 quid is 10 quid.

Marion Thorpe got half way down the step from the train when I ran up the platform and said clearly: ‘Did you know your husband was a homosexual Mrs Thorpe?’…

She leant back, well, recoiled is the best word and swung her hefty handbag hitting me straight across the head. Thinking back I should be bloody glad it wasn’t the violin case.

It blazed across the evening news…and I have no idea whether we got a picture or not. Can’t remember, it must have been the head wound!

The TV cameras certainly got it all. I reckon Harry told them I was going to do it.

Dad saw it, shouted for Mum and the spaghetti went all over the floor.

Mum was mad with Dad and Dad was indignant at me for being rude.

Ah well. Mrs Thorpe never answered the question but it was worth a drink and a tenner from Harry.

I made it up to Dad by taking them back stage at a Liberace concert and the sweet old Hollywood ‘auntie’ let Mum try on his fur coats and rings.

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That certain smile

dunneBy Colin Dunne

Has anyone seen Kent Gavin lately? Has he still got that lovely smile? Even, smooth, white, a bit wolfish perhaps but a charmer’s smile all right. That could’ve been mine. After all, we both went to the same man for Smile Replacement Therapy, in – oddly enough - the Mirror’s London pub, the Stab.

Actually, I wasn’t aware I was even being considered for Smile Replacement. I thought I was buying a gin-and-tonic for Lesley Hall and a pint for myself. As I wiggled my way through the crowd to the bar, the man next to me said I’d spilled his pint.

I said sorry but I didn’t think I had, he said I was a liar, and quite suddenly the evening seemed to be swerving off into dangerous territory.

I took a good look at him and immediately noticed something unusual: he wasn’t particularly tall, but he was wide. Very wide. Frankly, he must have come through the door sideways. And, even more unusual, he was deep. From his shirt buttons to his shoulder-blades was about four-foot. I’ve had smaller wardrobes.

In addition to that, his shirt sleeves were full of arm. I’m not used to that. I can get both arms and a leg into one of my shirt sleeves.

Would I allow myself to be intimidated by this? You bet I would. I apologised again and offered to buy him a drink. He gave me a look in which I could discern contempt, scorn and hatred, but no discernible fear.

He jerked his thumb towards the back-door. ‘Outside,’ he grunted.

He pushed through the crowd towards the door. I followed, wondering how it could be that he had a neck thicker than my chest. It didn’t look like a forgiving sort of neck.

Does anyone remember Bernie? Small, with dark hair and a dodgy eye, Bernie was a friendly, easy-going bloke who liked hacks. More importantly, he was also the Grand Imperial Wizard, or some similar title, of all the print unions. Even more important than that, he knew the man with the sleeve full of arm, who was a Natsopa minion, and Bernie knew full well what he was up to. He hated hacks and loved belting them.

He asked what was going on. Sleeveful Man told him he was taking me outside to place my head in a position where I could get a clear interior view of my large colon and possibly as far as my appendix. Bernie bollocked him, sent him home, and bought Lesley and me a large drink.

The following night, so I heard, Sleeveful staged the same scene with Gavin and, no doubt frustrated by his previous failure, gave him a fearful whack in the gob.

Now we come to the cheering bit.

Kent, if I remember rightly, pursued him through the court, had a magnificent set of choppers inserted at terrifying expense – terrifying, that is, for his assailant. He had to pay for them, and for lots of other things.

Given the sort of scoundrels who worked in Fleet Street, given the amount of booze which they assimilated each day, and given intensity of rivals, it’s amazing that the murder and maiming rate wasn’t much higher.

The reason, I suppose, is that it was mostly hack-on-hack, men who were not noted for their fine physical toning or long hours in the gym. And usually, by the time they came to exchanging blows, most of them could barely find the strength to stub out their fags.

A copper once told me that when called to a Fleet Street fracas he walked slowly, confident in the knowledge that within two minutes all combatants would be lying on the floor exhausted and gasping, and quite possibly asleep

This was certainly true of two of our most celebrated bruisers, Frank Howitt and Fergus Cashin. By 8pm, which was about the time they began to turn belligerent, neither of them would have lasted three rounds with Marje Proops.

I’d like to tell you about two of the best Fleet Street fighters but I’m afraid it’s just not possible. They are both still alive, and over the years I have heard both of them use a sentence which I cannot bear to repeat, but which involves the words off, head, and rip. My present physical arrangement – head firmly attached to top of shoulders – is one I would like to keep going a little longer.

Oh go on then. But we shall have to identify them only with the names Mac and Jock.

Yes, they are both Scottish. Funny that, isn’t it? And yes, odd you should mention it, but they did both take the occasional glass to keep out of the cold – which is unusual for a Scot, I believe. And they both in the past done some seriously good reporting and writing.

The first time I met Mac was when my Mirror features colleague Jill Evans asked me to go with her to meet her friend Sandy Fawkes. At that time, tabloid women hacks were a sort of merger between Ladies Who Lunch and Ladies Who Raunch. In the back room of El Vino, Sandy marched in with her new writer chappie, Mac. It was 7pm. They showed every sign of having been toasting their new friendship since about 7am.

I wouldn’t say they were rat-arsed but they were certainly mouse-bottomed.

Sandy had a black eye the size of an ostrich egg - presumably she'd leaned over her upright Remington while pressing the carriage return key. That happened a lot in the days of old technology. Anyway, no other explanation was forthcoming. 

Mac growled. She sobbed. We made a nervous foursome.

As more of the Scottish Fuddling Fluid went down, Mac turned his gaze on me. It was a a bleary, red-rimmed and somewhat less than affectionate gaze. Minutes went by. The gaze never flickered. I felt I knew where this was going, and sure enough, it came.

‘You lookin’ for trouble, pal?’

I flicked through all the possible replies to this. None seemed to help. He repeated his question, and held up a hand the size of a gravel-dredger. I was sure I could see brain under the nails. At this point I remembered that he had the reputation of raising pub-fighting to near professional standard.

I raised my right hand and moved it in front of his face. If his hand was designed for head-ripping, mine was made for plucking lyres, embroidery, and the less robust areas of flower-arranging. ‘Before you start any trouble, Mac,’ I said, ‘just take a look at that hand.’

He looked. He squinted. He looked again. He slowly shook his head. He sat quietly for the rest of the evening. A couple of times when he seemed in danger of coming to life, I held up my bony paw and repeated: ‘Look at that hand.’ Whatever it all meant was well beyond him and he slumped in silence.

It was a lucky escape. Over the years, there were many reports of Mac’s fighting prowess, all authenticated. Yet somehow I always seemed to catch him on an off-day.

Years later, in the Peanut Parlour where the lads from the Sun gathered to toast Mr Murdoch, Mac lurched in early one evening, full of joy and bonhomie. On a stool at the bar, he was charm itself until he felt someone behind him. ‘Who’s leaning on me?’ he asked. His smile was still there but his voice had acquired a rough edge.

The leaner he was talking about was – I think – the Sun’s chief features sub at the time. And a more respectable and admirable a fellow you wouldn’t want to meet. Every evening he would call in for a modest pint and then speed home for – I imagined – a family evening singing hymns around the harmonium.

‘Does this bugger know who he’s upsetting?’ Mac asked those in front of him, nodding his head backwards. Slowly, he rose. Slowly, he put his glass down. Slowly he turned. ‘What’s your problem, cock?’ he asked. ‘Do you want first swing?’

Quite rightly, the exec panicked. Blindly, amateurishly, and without hope, he swung. His fist, still tired from subbing Charlie Catchpole’s copy, moved upwards in an arc and caught Mac flush on the chin. It was the punch all boxers dream about – the perfect uppercut.

Mac dropped and rolled across the floor. Eyes closed. Motionless. A clean knock-out.

Our man grabbed his briefcase and ran.

At the same time the following night in the same bar, Mac came in. Mac, who vaguely remembered me, asked me if I’d heard about some lucky bastard who’d caught him with a sucker punch the previous night and if I would point him out. ‘They call him Tony,’ I said, ‘and he’s down in the Bell.’ Seconds after he left, a shaking features exec, who’d been standing next to him, grabbed his briefcase and fled to Charing Cross.

But to be fair to him, Mac was the stuff of legends. So was Jock. You still hear the story of how he bought a knackered old white horse off a gypsy and took it up the steps into the cocktail bar of a smart hotel to test the advert: ‘You can take a White Horse anywhere.’

And when I once asked him if he knew Frank Howitt, adding that he was the Express reporter with a broken nose, Jock gave a quite smile. ‘I broke it for him,’ he said.

Apparently Frank had made a saucy comment to a woman who was with Jock in the Bell. The punch not only broke his nose but also deposited him in the fireplace at the far end of the bar.

Once, passing the open door of the Tipperary, he spotted Jerry Brown, then of the NoW, inside. Suddenly Jock remembered a grievance which had been bothering him. He shot through the door and broke his nose too.

There are ENT surgeons who would have been unemployed but for Jock.

When he gave up drinking, he became a model of restraint. Decent, kindly, tolerant to a fault. Raging Bull had become Playful Puppy. We all thought – and so did he – that the fires had damped down…

One morning, at he was leaving for work, there was trouble at home. The pipes sprung a leak, the plumber wouldn’t come, the car wouldn’t start… everything went wrong. He came in to Fleet Street on the underground and found himself sharing a small two-man seat with a young man. So obsessed was he with his misfortunes that he failed to note that his seat-sharer was a young muscle mountain, more ape than man. What wasn’t covered in hair was blue with tattoos. And Jock, by this time, was a 50-year-old man in suit and tie, who might well have been on his way to choir practice.

‘‘Ere,’ it said, ‘ you want all the fuckin’ seat, mate?’

‘Sorry’ murmured Jock, still immersed in his own problems.

As always, Muscles took the apology for fear. ‘Yeah, well, fuckin’ sorry ain’t gonna do it,’ he said, and rammed Jock up against the side of the train, then stood up and loomed over him, fists clenched. Fellow passengers clucked and squeaked and shuffled up the carriage.

It took Jock perhaps half-a-minute to adjust to this once-familiar situation. He straightened his jacket and stood up himself. Although almost a foot smaller and 30 years older than the other man, this was an age-old routine that was in his bones, drunk or sober. He raised his hand, one finger pointing directly at him. ‘Look pal,’ he said, ‘if you want to go to hospital, I’m the man to put you there.’

Suddenly, alarmingly, Muscles had a revelation. This little old Scots git had done this before. Many, many times. Probably there were NHS wards packed with people who’d annoyed him.

In a blur of blue tattoos, tangled hair and dried-up testosterone, he fled.

Later, when he told me the story, I said that perhaps it was just as well it ended like that, if this young thug was half his age and twice his size. Jock just gave me a pitying look.

‘That’s got nothing to do with it,’ he said.

So can we put names to Jock and Mac? Please try: answers on a plain postcard to Gozo.

The winner gets a smack in the mouth.

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This week

 

Jeffrey Blyth on Tina Onassis (or vice-versa).

 

Peter Reece on doing a Leggett.

 

Allan Glenwright on Fiske and Smart.

 

Peter Kinsley on fair do’s for snappers.